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Home arrow The Eastern Miniature Sculpture
The Eastern Miniature Sculpture Print E-mail

Objects of the Miniature is to show the space, which is different from the material and physical world and is integrated with music. The purpose of the art, which has the intellectual genuineness, is to demonstrate the space through the mysteries, examples and special methods of this art and guarantees the disconnection existing between this space and the space that the human being has got accustomed to it and experienced his/her daily life in it. To observe the spiritual world, you are required to open the eyes of your heart and reach the presence position

1-Position of the Eastern Woman in Miniature

In accordance to the religious beliefs, God gives a promise of heaven and paradise to mothers, because of the birth of their child. (The heaven belongs to Mothers).

On the basis of this pure love, God brings up the seeds of love and kindness in mothers' heart during the time of their child's birth, which makes mothers be able to endure all pains with great eagerness in spite of the pregnancy problems and difficulties.

The obvious sample of free love is maternal love and this kind of kindness cannot be included in speech. Any kinds of sound and pains that can be heard from depth of a mother are the prettiest calls and heaven voices. The call by which mother grants all her life to her child.

The creator of Samaa statue would like to show lateral and pure love, as a mother, playing tambourine, laden with strong desire and celebrating the moment of the birth of the maternal love.

Praise to Mothers-Praise to the Iranian and Eastern Love & Kindness that shows the woman position in Iran & East.

2- Love & Devotion

Heroic and Ingenuity feminine feeling, though mysterious is in the miniature statues of the southeast of Asia (China and Japan).

As an example, in Chinese and Japan theater and cinema together with that special make up and clothes for the women, the silence shall be created in the scene for a long time after exchanging dialogue between actresses and other actors. After passing a time, suddenly, women spectators took the lives of others by throwing their hand-blowers.

But in the miniatures of the southeast of Asia (Iran), rhythmical movements with mild rotation bodies and a pleated dress, indicating the inside pureness and love without coarseness and being feminine mysterious with presence in space with spiritual position, shows love and mysticism without coarseness and heroic sense.

This kind of figures in miniatures of the southwest of Asia, there are whispering of the mystical poems such as Hafez, Molana and Khayam and there is no any coarseness. In fact the coarseness is completely opposite with the mystical space.

On the contrary of Chinese and Japan miniature, they don't have any ingenuity & policy and make a present of love to the beloved on the basis of the pureness as if they have been inebriated by a spiritual loved and designed and made without any weight and with light-winged.

The movement and a state of flying in other world have been shown in their figures as if they don't establish any relations with their surroundings.

3- Different species of cloths

Previously, everybody could recognize the Iranian and eastern materials through their designing and through the ''Botteh-jegheh”, ''Eslimi'' and ''Khataei'' and Mosaic-work.

But different researches and yielding of the statues, the level of twisting and type of knots makes a distinction between eastern and Iranian materials (Southwest Asia) from other Asian materials.

In China and Japan, twisting of the shawl or cloth is created with a 30-degree angle together with tight knots like knots for the belt of heroic sport cloth (kimono). A shawl (a long piece of cloth for wound by men as a belt round waist) is prepared wide together with the materials separated from the length.

In indian (India) cloths and shawls, the twisting in the materials is created with a 45-60 angle without any knots together with turned belt as turban (sari),and the men's is like a loose sleeveless cloak open in front and with a shawl.

In Spanish cloths, twisting in materials is created with a 90 angle together with pleats and without any knots. The shawl for waist is prepared tight, close fitting and without any knots. The materials are separated diagonally (flamenco dress).

But in the south west Asia, the twisting of the cloths is created with a 180-360 angle, it means like a whole circle, and the knots round the waistline is loose and the shawl is turned around the hand then moves from back to front. It is hanging on the left part of the body on the back site in routine times.

During the time of Ebne Sina, the turban and headband were in front of the body while they discovered something and it were on the back of the body in ordinary time.

4- Hairs

In Chinese & Japan statues, the figure of the hair is long, smooth, without any twisting gradients up to the waist.

In Egyptian statue, the figure of the hair is short up to the shoulders and cropped. The hair in front of the face is up to eyebrow. In the Indian statues, the hair is sometimes long and massive, and sometimes together with scarf.

In European statues and Greek statues, the hair is like a bulk. And only in the twisted mode, bunches cross over each other.

In the first Eastern Miniature Sculpture that has been made for the first time, the plaster moulding methods has been used.

The level and amounts of the twisting of the hair is created on the basis of the music numerical rhythmic. The hair has some major bunches, which each of them are divided in to other bunches, which shall be mentioned in the music section.

The hair movements indicate love and inside call. This kind of twisting is matchless.

5- Body, Anatomy

The movement and rotation of the Iranian miniature statue reaches the point as if there is no any bone in body. This kind of movement indicates the movement in fixed good and it is a kind of movement and dancing. Where there is a short rotation in body, the manner of the hand demonstrates inside movements and indicates nobleness of the miniature statue.

All movements and forms show that the spirit is free from body. These kinds of specifications, shown in the first Iranian miniature statue, demonstrate love and mysticism without unclearness and also indicate the movement toward worshiped with lovely whispering.

Cloths, knots, type of the twisting of the hair and the manner of their putting on each other, integrated with music numerical rhythmic, indicate peace and friendship of the old the east civilization, specially Iranian civilization, and offer the message of peace and friendship to the other civilizations.